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Contents.Plot Marnie Watson is being driven home in a police car after killing her abusive husband in self-defense - to be placed under house arrest. She is escorted home by Shanks a police officer and former partner of her husband. After they get inside, another officer arrives to fit Marnie's ankle bracelet, telling her she cannot move more than 100 feet (30 m) from the detector in the hallway, and if the alarm sounds for more than three minutes, the police will be notified.The next day a delivery boy Joey arrives with groceries, and Marnie tells him she needs him to come by on a regular basis. Later that night while in bed her husband's face suddenly appears. Frightened, she leaps up and flees from the room. Her husband's ghost, Mike , pushes her down the stairs. Marnie crawls to the front door setting off the detector.

Shanks arrives a short time later and finds her unconscious at the front door. She tells him she fell down the stairs.

He asks her if someone is beating her and chastises her for not cleaning up the blood stain which has reappeared on the wall.Marnie has Joey get her some books from the library about ghosts. She reads that she must get rid of all of Mike's things and begins collecting everything, including the suitcase she threw in the basement. While in the basement, Marnie is attacked by Mike's ghost and dragged down the stairs before she can finally get up and run to safety. Once upstairs, Shanks is knocking at her door after hearing screams, and begins looking throughout the house demanding answers. He claims that Marnie is covering for the real murderer and gets upset at her lack of clarity. In the end he apologizes for not being able to protect her and vows to do everything in his power to protect her now.Mike's ghost continues to threaten Marnie and she continues to rid the house of his presence. Feeling lonely, Marnie calls Joey in the night against her wishes he runs over and refuses to leave unless she lets him in.

The Hundred-Foot Journey was set in the picturesque village in southern France. When an Indian family settled here and open a restaurant, they fell in battle with an old French restaurant. Subtitles for YIFY movies. Subtitles in any language for your favourite YIFY films. Watch online movie 100 Feet - 2008 with English subtitles After Marnie Watson kills her abusive husband in self-defense, she is condemned to house arr.

They make their way upstairs and have sex, during which Marnie sees Mike's ghost and continues unwavering seeming unfazed, almost happy that the ghost is watching. Everything seems fine until the next morning when they are getting out of bed and Mike's ghost attacks them, brutally killing Joey.Shanks has been watching her all night and comes with a warrant to arrest Joey, claiming he knows he's in there. Marnie says she is taking a shower to buy herself some time to hide the body in the floorboards before Shanks can reach her room. While downstairs talking, the ceiling breaks above them and Joey's body falls through the ceiling. Shanks gets ready to arrest Marnie and take her from the house when Mike's ghost attacks Marnie, throwing her about the room. Stunned by what he sees, Shanks himself is then attacked by Mike's apparition.

Then Mike's ghost sets the house on fire.Shanks is thrown down the stairs and Marnie follows, escaping out the window to safety, but returning when she hears Shanks inside awake and searching for her. She helps him out right as Mike's ghost pulls her back through the window. As the two struggle, Marnie removes her ring and throws it at her ex-husband's ghost. The ghost catches it and then disappears in a ball of fire. As a crowd of people begins gathering outside, Shanks tells her to escape. Marnie is then seen on a bus, while a passenger reads a paper, where the headline proclaims she died in the fire saving Shanks' life.Cast.

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as Marnie Watson. as Lou Shanks. as Joey. as Mike Watson. as Frances. Kevin Geer as Father PritchetRelease The film played on on April 26, 2009.

The DVD was in limited release two days later. It was released nationwide on October 6, 2009 through. Reception.

A wooden puppet yearns to be a real boy; he must prove himself worthy.Directors: Ben Sharpsteen, Hamilton Luske, Bill Roberts, Norman Ferguson, Jack Kinney, Wilfred Jackson and T. HeeBest quote: “Always let your conscience be your guide.”Defining moment: Playing pool, drinking beers, smoking cigars: Who knew it could transform kids into jackasses? (Literally.)And so we reach the top of our list—we’d be lying if we didn’t say it was by a nose.

Pinocchio is the most magical of animated movies, a high point of cinematic invention. Its influence on fantasy is massive: Steven Spielberg quotes the soaring ballad “When You Wish Upon a Star” in his dream project Close Encounters of the Third Kind (and remade the whole picture with his aching robot-boy adventure, A.I.). Disney’s second feature—originally a box-office bomb—begins with a sweetly singing cricket, yet plunges into scenes from a nightmare: in front of a jeering audience on a carnival stage; into the belly of a monstrous whale; beyond all human recognition. (Pinocchio’s extending schnoz is animation’s most sinister and profound metaphor.) It’s staggering to think of this material as intended for children, but that’s the power here, a conduit to the churning undercurrent of formulating identity. The takeaway is hard to argue with: Don’t lie, to yourself or others.

Cultural theorists have, for decades, discussed Pinocchio in psychosexual terms or as a guide to middle-class assimilation. But those readings are like cracking open a snow globe to see that it’s only water. A swirling adventure flecked with shame, rehabilitation, death and rebirth, the movie contains a universe of feelings. Pinocchio will remain immortal as long as we draw, paint, tell tall tales and wish upon stars. —Joshua Rothkopf.

Romance, music and comedy combine in a latter-day Disney milestone.Directors: Kirk Wise and Gary TrousdaleBest quote: “It’s no use. She’s so beautiful. And I’mwell, look at me!”Defining moment: The camera sweeps through the ballroom as the couple hits the floor.Disney had long been in the doldrums when The Little Mermaid showed it could entertain a new generation, but this adaptation of the classic fairy tale pushed the quality threshold to a new level, making it the first animated feature to be Oscar-nominated in the Best Picture category. The key was taking the emotional heart of the story entirely seriously, bolstered by a soaring, Broadway-on-steroids score from Howard Ashman and Alan Menken.

So while there are jaunty high jinks from the anthropomorphic fixtures in the Beast’s imposing castle, they never overshadow the tale’s pent-up yearning, as the hairy protagonist must find true love before the petals fall from a rose or remain forever in bestial form. Crucially, the visuals convey enough heft and scale to wow the grown-up audiences who truly appreciate the story’s romantic spell. —Trevor Johnston. Handcrafted silhouettes captivate in the first-ever animated feature.Director: Lotte ReinigerBest quote: It’s silent, so you’ll have to provide your own dialogue.Defining moment: The good witch takes on the evil sorcerer in a shape-shifting smackdown.Given the immense visual sophistication of today’s computer-aided animation, is there still any point in watching a silent film where paper cutouts move across illuminated sheets of glass? Perhaps surprisingly, the answer is a resounding yes, since this fairy-tale adventure from Germany’s Lotte Reiniger is no fusty historical artifact, but a mesmerizing viewing experience, precisely because (unlike modern animation) we can see the handiwork involved in creating the exquisite silhouettes peopling this classic Arabian Nights tale. There’s a flying horse, a dashing prince, an evil sorcerer, a damsel in serious distress, and even a special appearance by Aladdin and his “wunderlampe.” It’s all rendered in filigree detail that brings the time-honored story to life.

There’s not quite the seamless movement we’ve come to expect these days, but when Reiniger fills the screen with spiky winged demons, the sheer craft on display is genuinely breathtaking. —Trevor Johnston.

Who needs a caring stepmother when you’ve got glass slippers, an enchanted lifestyle and a hunky Prince Charming at the end of the day?Directors: Clyde Geronimi, Wilfred Jackson and Hamilton LuskeBest quote: “A dream is a wish your heart makes when you’re fast asleep.”Defining moment: A pumpkin and some mice get a magical makeover.Even today, when you watch a Disney film, the impact of Cinderella can be felt from the very first frame: That iconic castle, the studio’s logo, comes right from this picture. It was the make-or-break gamble that, had it failed, would have meant the end for Walt & Co.

Instead, his film’s runaway success allowed him to finance the theme parks and cement his name forever. The elements of the story are bedrock components of the Disney formula: plucky, charming heroine, helpful sidekick animals, the promise of total transformation. Yet there was innovation here, too; musical numbers would, for the first time, be commissed out to Tin Pan Alley experts, while live-action footage was shot as a model for most scenes. When Disney’s own remake comes out in 2015, it will have a huge debt of charm to repay.

—Joshua Rothkopf. A modern woman’s breakup is paralleled with a musical retelling of the Ramayana.Director: Nina PaleyBest quote: “Assemble the monkey warriors!”Defining moment: Sita wonders, “Whooooooooo’s that knockin’ at my door?” in an energetic battle-scene-cum-musical-number.Fiction, somehow, helps us deal with fact: Reeling from a divorce, animator Nina Paley found solace in the Hindu epic the Ramayana, specifically the section dealing concerning Sita, a woman fought over by two of the tale’s male protagonists. For this eye-popping DIY feature, almost entirely animated by Paley herself, the symbolically pure and virtuous Sita becomes the narrative focus. Paley adheres to the basic outline of the Ramayana—with its multiheadeded gods, monkey armies and heroic warriors—adding her own distinctive touches. The most delightful of these is giving Sita the voice of Jazz Age singer Annette Hanshaw, whose cheery musical stylings (especially during the literally earth-shattering climax) add a defiant layer to a story normally defined by paternalism and machismo.

—Keith Uhlich. No more little miss shy and retiring, this princess means business.Directors: Nathan Greno and Byron HowardBest quote: “I’m malicious, mean and scary/My face could curdle dairy.”Defining moment: Escaping the tower, Rapunzel feels grass under her feet for the first time, and breaks into song (as you would).The brothers Grimm’s “Rapunzel” must have presented modern Disney with a bit of a head-scratcher. Long gone are the days when a Disney princess would spend her hours mooning around a tower dreaming of a knight in shining armor to rescue her. So in this version (with Pixar’s John Lasseter executive-producing), gone is the handsome prince, replaced with an egotistical thief, Flynn Ryder. When he first smarms his way upstairs, Rapunzel thwacks him with a frying pan. This sparky princess will do her own escaping, thank you very much, twirling all that hair like a lasso.

Tangled has energy and humor in spades. Best are the beasts: Maximus the army horse (on a mission to capture Flynn) and Pascal the chameleon. —Cath Clarke. Never has a party snub had such dire consequences.Director: Clyde GeronimiBest quote: “Now you shall deal with me, O prince, and all the powers of hell!”Defining moment: Evil fairy Maleficent turns herself into a fire-breathing dragon and goes to battle.In the Disney villainesses hall of fame, Maleficent ranks up there with Cruella De Vil. The self-proclaimed “mistress of all evil,” Maleficent is the badass fairy who casts a spell on Aurora at birth, causing the princess to prick her finger on a spinning wheel and die before her 16th birthday. All because the king left her off the guest list at Aurora’s christening.

After nearly a decade of preparation, Walt Disney wanted Sleeping Beauty to stand out from existing princess-led fairy tales Snow White and Cinderella, and so it does. Inspired by medieval art and tapestries, this is Disney as its most wow-worthy, best of all in the lurid scenes at Maleficent’s lair. Sleeping Beauty marked the end of an era—it was the final animation overseen directly by Walt himself, now busy building theme parks and making TV. That said, rebellious, feisty Aurora also harkens to the sparky princesses of Disney future, even if she’s muscled into a supporting-actress slot by a certain scene-stealing bad fairy.

—Cath Clarke.